Throughout this project, I have worked closely with core members of Robot Studios and Gas Powered Games to help resolve and address audio bugs and requests. As one of my main responsibilities, I have tagged over 210+ different animations for this MMO. Additionally, I composed a variety of pieces for the Persian and Celitic civlizations, manage all audio assets and needs, organize voice-over materials, and implement music, ambiance, and many of the UI elements.

Red Orchestra had a tight schedule and over 600 individual animations per character. Despite the deadlines, the quality of my work was not compromised, and I successfully assisted in tagging a vast number of character animations while still paying close attention to subtle movement.

Working alongside the audio lead, I assisted in mixing the audio for the game, tweaking audio assets within Wwise, and actively helped with both audio optimization and solving additional audio issues.

Rocketron has short, distinct levels, each speckled with simplistic and unique songs. In addition to composing, I also designed the sound effects throughout the game.

Combining knowledge of Wwise and the Infernal engine, I organized and implemented sound events for environmental assets and particle effects, as well as tagged sound effects to animations ranging from creatures to bosses. Additionally, I implemented all dialogue assets for the English, French, German, Italian, and Spanish voice overs, as well as managed all dialogue subtitles.

Aside from creating sound cues and events, I implemented and tagged sounds for iconic characters within the Star Wars universe. I also managed and implemented all dialogue assets and voice over subtitles for English, French, German, Italian, and Spanish, and created a centralized documentation for the development team to easily find which lines are used per character, world, level, type, and etc.

Utilizing the Unreal Editor, I created/arranged sound packages, and synced over 100 animations to sound. I also managed all voiced subtitles, monitored the dialogue script for punctuation, spelling, and reference errors, and assisted in editing audio for several character voice-overs. Additionally, I successfully resolved audio bugs tasked both to myself and the senior sound designer.

Balance of Power is an iPhone game entered for the 2008-2009 Computer Gaming Entrepreneurship Competition at The University of Texas at Dallas. As the only audio member, I created original soundscapes, weapon sound effects, and music. Balance of Power won 1st place and funding for further development.